I found myself within a forest dark, For the straightforward pathway had been lost. That is the key to long-lasting love. Too fast is as bad as too slow.
◆ status: Single
◆ whom: name here ◆ since: 00/00/00
◆ engaged: 00/00/00
◆ married: 00/00/00
about the girl
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lyrics/songs
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midway upon the journey of our life
“They won’t be human experiences afterward. You don’t get a second chance at humanity, Bella.”
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renesmee cullen
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carlisle cullen
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esme cullen
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alice cullen
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emmett cullen
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rosalie hale
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jasper hale
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jacob black
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charlie swan
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connection name
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midway upon the journey of our life
“What if I’m not a superhero. What if I’m the bad guy?”
midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost. Ah me! how hard a thing it is to say What was this forest savage, rough, and stern, Which in the very thought renews the fear. So bitter is it, death is little more; But of the good to treat, which there I found, Speak will I of the other things I saw there. I cannot well repeat how there I entered, So full was I of slumber at the moment In which I had abandoned the true way.
Here comes the lady. Oh, so light a foot Will ne'er wear out the everlasting flint. A lover may bestride the gossamers That idles in the wanton summer air, 20And yet not fall. So light is vanity. These sudden joys have sudden endings. They burn up in victory like fire and gunpowder. When they meet, as in a kiss, they explode. Too much honey is delicious, but it makes you sick to your stomach. Therefore, love each other in moderation. That is the key to long-lasting love. Too fast is as bad as too slow. These violent delights have violent ends, And in their triumph die, like fire and powder, Which as they kiss consume: the sweetest honey Is loathsome in his own deliciousness And in the taste confounds the appetite: Therefore love moderately; long love doth so; Too swift arrives as tardy as too slow
Here comes the lady. Oh, so light a foot Will ne'er wear out the everlasting flint. A lover may bestride the gossamers That idles in the wanton summer air, 20And yet not fall. So light is vanity. These sudden joys have sudden endings. They burn up in victory like fire and gunpowder. When they meet, as in a kiss, they explode. Too much honey is delicious, but it makes you sick to your stomach. Therefore, love each other in moderation. That is the key to long-lasting love. Too fast is as bad as too slow. These violent delights have violent ends, And in their triumph die, like fire and powder, Which as they kiss consume: the sweetest honey Is loathsome in his own deliciousness And in the taste confounds the appetite: Therefore love moderately; long love doth so; Too swift arrives as tardy as too slow
midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost. Ah me! how hard a thing it is to say What was this forest savage, rough, and stern, Which in the very thought renews the fear. So bitter is it, death is little more; But of the good to treat, which there I found, Speak will I of the other things I saw there. I cannot well repeat how there I entered, So full was I of slumber at the moment In which I had abandoned the true way.
Here comes the lady. Oh, so light a foot Will ne'er wear out the everlasting flint. A lover may bestride the gossamers That idles in the wanton summer air, 20And yet not fall. So light is vanity. These sudden joys have sudden endings. They burn up in victory like fire and gunpowder. When they meet, as in a kiss, they explode. Too much honey is delicious, but it makes you sick to your stomach. Therefore, love each other in moderation. That is the key to long-lasting love. Too fast is as bad as too slow. These violent delights have violent ends, And in their triumph die, like fire and powder, Which as they kiss consume: the sweetest honey Is loathsome in his own deliciousness And in the taste confounds the appetite: Therefore love moderately; long love doth so; Too swift arrives as tardy as too slow
Here comes the lady. Oh, so light a foot Will ne'er wear out the everlasting flint. A lover may bestride the gossamers That idles in the wanton summer air, 20And yet not fall. So light is vanity. These sudden joys have sudden endings. They burn up in victory like fire and gunpowder. When they meet, as in a kiss, they explode. Too much honey is delicious, but it makes you sick to your stomach. Therefore, love each other in moderation. That is the key to long-lasting love. Too fast is as bad as too slow. These violent delights have violent ends, And in their triumph die, like fire and powder, Which as they kiss consume: the sweetest honey Is loathsome in his own deliciousness And in the taste confounds the appetite: Therefore love moderately; long love doth so; Too swift arrives as tardy as too slow
"And now everything was chaos and tumult.
Yet I wouldn’t trade it. I didn’t want the life that made sense. Not if the chaos meant that I could be with Bella."
the basics
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personality
Edward is usually described as brooding and stubborn, but also very kind and compassionate. Bella also describes him as charming, polite, and determined. He easily dazzles human females with his beauty, scent and body, and persuades them to do his bidding. He always puts Bella's safety, humanity and welfare before anything else, and goes to great lengths to protect her from what he sees as danger. Edward is also a bit of a romantic at heart. He often over analyzes situations and has a tendency to overreact, especially in situations where Bella's safety is potentially at risk - evident in his decision to disable her vehicle to prevent her from visiting the emotionally unstable Jacob Black. He retains some of the traditional mindset and outdated speech from his human life in the early 20th century. The development of Edward Cullen's character was influenced by Gilbert Blythe, Fitzwilliam Darcy, and Edward Rochester―particularly the latter, who, like him, sees himself as a "monster". Edward puts his free time to great use. Since vampires do not sleep, he employs the night hours reading books and studying languages, science, business and music, becoming a virtuoso on the piano he owns in his house. As a human, he learned to play the piano and became a very well-playing pianist. This trait was carried on to his transformation, and as a result he has a liking to composing something that comes passionately. Edward enjoys listening to a wide range of music, including classical, jazz, progressive metal, alternative rock, punk rock, but he dislikes country. He prefers indie rock to mainstream, and appreciates rock and classical music equally. He surprises Bella in an early car ride by having Debussy in his CD player.
Edward mentions that he likes music from the fifties better than the sixties, and dislikes the seventies entirely and comments that the eighties were "just bearable". He never comments on the music from his own teen years, as well as the twenties swing music which came a few years after his turning. Edward and his family all enjoy driving fast. He has a hobby of collecting cars. He owns a Volvo S60R, which becomes a C30 in the movie adaptation, and an Aston Martin Vanquish as a "special occasion" car. He also gave his sister Alice a yellow Porsche 911 Turbo as a gift in Eclipse. He bought a motorcycle to ride alongside Bella but gave it to Jasper after realizing that this was something she did with Jacob. Esme described him as a gentleman. Although Edward appears convinced of his own soulless status, Bella notes that he must believe on some level that he possesses a soul as, when he saw her in Volterra while believing that she was dead, his automatic assumption was that he had gone to Heaven with her rather than that she was still alive. Edward also always thought of himself as an abomination of nature, not deserving happiness nor believing that his relationship with Bella would last until he gave her a daughter and brought Bella more happiness than he could have ever imagined. To him, Bella's happiness was everything; furthermore, he was the one who gave her that. At the end of Breaking Dawn, he has become a much more positive person and fearlessly faces the Volturi.
appareance
Edward is noted to be extremely attractive. Bella has often described his appearance as similar to the mythical Greek god, Adonis. His facial features are described as perfect and angular—high cheekbones, a strong jawline, perfect eyebrows, a straight nose and full lips. His untidy hair retains the unusual bronze shade that he inherited from his biological mother, Elizabeth Masen. His eyes, once green, are now described as topaz or liquid gold. His appearance changes if he goes long without feeding: his eyes darken, becoming onyx black, and purple bruise-like shadows appear beneath his eyes. Edward stands at 6'2", and has a thin and lanky but muscular body, remaining frozen physically at 17 years old, though he is technically over a hundred. He usually wears light colored clothes accompanied by a light beige leather jacket.
midway upon the journey of our life
"How could she not realize that she was the most beautiful…most exquisite…
Those words weren’t even enough."
biography
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biography
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biography
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